‘Ladies’ in Pasadena Make History and Noise

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Almost 100 years after women got the vote, a new play, “Ladies,” that opened in Pasadena, Calif., this week reminds audiences that women have struggled to make noise and attract history’s attention for centuries. Making its world premiere at the Boston Court Pasadena, “Ladies” is a fun, fictional account of the actual women in 1750’s London who comprised The Blue Stocking Society, the first major feminist movement.

The play imagines interaction between Elizabeth Montagu (Meghan Andrews), Elizabeth Carter (Carie Kawa), Fanny Burney (Jully Lee), and Angelica Kauffman (Tracey A. Leigh). As Montagu states, she sought to start “a revolution in my parlor” and “be amazing women who make noise.” Think how radical it was in the period before the American Revolution for women to want careers and discuss literature and art in their homes. While the term bluestocking came to mean an intellectual or literary woman, the ladies’ efforts did create a scandal in their day while claiming to not “care for the opinions of others.”

Real Life Characters

In real life, the quartet of characters in “Ladies” actually represent two generations of women who did more than needlepoint in their parlors and sought to expand their horizons:

  • Montagu hosted get-togethers featuring great thinkers of the day and published an influential work on Shakespeare. She was a copious writer of letters, many of which are housed at the Huntington Library, not far from the theatre.
  • Carter wrote poetry and translated ancient Greek works into English.
  • Kauffman is encouraged to expand her focus and paint other things than “what you have been told you can paint as a woman.” She eventually was one of two female founding members of the Royal Academy.
  • Burney wrote successful novels that were social satires and influenced Jane Ausen and William Makepeace Thackery

An Effort by “Ladies”ladies

As written by Kit Steinkellner, “Ladies” cleverly juxtaposes the women’s ambitious goals to transform London society with characters talk through a modern lens, by donning bright red glasses to break through the fourth wall. One character humorously explains how the writer learned about the Blue Stockings, Googled these women, read Carter’s poems, did other research, and challenges years of history told by men about men.  Bottom line, she brought them to life and shows how slow change has been.

Jessica Kubzansky directs the appropriately all-female “Ladies” production, from the playwright and cast to the crew and designers. Besides the red glasses, the costume designs by Ann Closs-Farley enable the characters to rapidly switch centuries. Remove the hoop skirts and corsets, modern women appear. At times, some actresses even put on waistcoats to portray men in their lives.

The “Ladies” cast is first-rate, particularly Andrews and Leigh. Andrews has to convey the enthusiasm and frustration. Leigh’s sunny take on Kauffman shows her confidence.

“Ladies” will be making noise and offering a little bit of history on the 99-seat main stage of the Boston Court Pasadena in Southern California through June 30. It is worth the time to see how Steinkellner imagined these women finding their way in society long before women sought to do more than look pretty and marry well.

By Dyanne Weiss

Performance June 1
Boston Court Pasadena “Ladies” press materials

“Ladies” production photos courtesy Boston Court Pasadena: (top, l-r) Carie Kawa and Meghan Andrews, (inset) Tracy A Leigh  talking to audience in red glasses.